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Amelie Amovie Review with a Philosophical slant

Amelie is a foreign film that’s story line forms itself around a girl‘s (named Amelie

played by Audrey Tautou) interactions and fantasies with the people in her life. ...

     The painter, who lives across from Amelie, has painted the same Renoir over and over for

a good part of his life, searching for the true emotion painted in the character’s faces within. ...

     The corner grocer, who Amelie buys fruit and vegetables from everyday, is consistently

ridiculing his quasi slow assistant who sees the fruit as beautiful and is often taking too much

time with customers because of his love for daydreaming (and fantasies about Princess Diana. ...

     A boy, Nino, who Amelie infatuates about most of the movie, collects ripped up pictures

thrown underneath railroad station photo booths. ... The philosophical

problems seem so clear to me. ... For Amelie, the main character, she sees the world as an

intricate chain of small and fruitful experiences, indulging herself in the little pleasures of life

and making it a goal to reveal the good in life to those around her. ... Her mother was tragically killed

by a suicidal Canadian, who threw herself off of the towers of Notre Dame and sadly, landed

directly on Amelie’s mother. ... Amelie is the radiant character who sees her chance

to improve the lives of those around her, also learning to change her own perspective by

actually taking a chance of initiating things in her life, for the first time.


Approximate Word count = 1284
Approximate Pages = 5.1
(250 words per page double spaced)
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